{"id":5093,"date":"2025-10-05T16:28:48","date_gmt":"2025-10-05T16:28:48","guid":{"rendered":"https:\/\/thegloss.online\/?p=5093"},"modified":"2025-10-05T16:28:48","modified_gmt":"2025-10-05T16:28:48","slug":"rabannes-spring-summer-2026-makeup-look-is-keeping-the-sunburn-blush-trend-alive","status":"publish","type":"post","link":"https:\/\/thegloss.online\/?p=5093","title":{"rendered":"Rabanne\u2019s Spring\/Summer 2026 Makeup Look Is Keeping The Sunburn Blush Trend Alive"},"content":{"rendered":"

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Marilyn Monroe was the makeup muse of Rabanne\u2019s Spring\/Summer 2026 show, but not the Old Hollywood star\u2019s signature full-glam look that probably initially comes to mind. Instead, the mood board had a 1950s image of a young, smiley Monroe on the beach, with her hair pulled back, slightly sun-burned cheeks, and hint of red on her lips. <\/p>\n

This pared-back, relaxed look of Monroe\u2019s fit the vintage beach theme of creative director Julien Dossena, which included metallic palm leaf-sprouting shoes, 1960s scuba mask plastic-rimmed mirrored sunglasses, and a color palette of vibrant pastels reminiscent of the Miami Design District\u2019s art deco buildings. \u201cThe main inspiration for the makeup was Marilyn Monroe on the beach, so we didn\u2019t to do anything too retro with the look,\u201d lead makeup artist Diane Kendal<\/a> tells TZR backstage at the show. \u201cWe\u2019re doing a sun-kissed almost sunburned look on the cheeks, freckles, and staining the lips with a red color.\u201d <\/p>\n

Fresh, luminous skin was the base of the look, so Kendal started by prepping the skin with Rabanne V.I.P Glow Primer, then applied the Fresh Touch Foundation<\/a> all over and the Everywhere Concealer <\/a>on any blemishes. She then used a combination of the Mini Blushy Palette<\/a> in Incompatibles and Almost Famous for the blush. \u201cWe\u2019re just applying it to the apples of the cheeks, coming up to the bridge of the nose, and then diffusing it so it looks very summery,\u201d she says. For the freckles, Kendal used the Colorshot<\/a> in Sorry Not Sorry or My Bad depending on the model\u2019s skin tone. She applied the dots with a brush, then used her fingertip to flatten them out for a more natural finish. <\/p>\n

Since the focus was on the cheeks, the eyes were kept minimal. Kendal brushed up the brows, curled the lashes, applied a coat of the Famous Mascara Primer<\/a>, and then added the eye balm from the Mini Palette<\/a> in All Lights On Me to the lids and Liquid Metal Sho<\/a>t in the inner corners. As a final touch, Famous Lipcolor Matte<\/a> in Red Seal or Red Realness was swiped onto the lips and then wiped off to create a lived-in, stained effect.<\/p>\n

Lead hairstylist Duffy<\/a> kept the beachy theme going by making the models\u2019 hair look like they\u2019re always in the vicinity of the beach. Think that undone bendy or curly texture you get after taking a dip in salt water and letting your hair air dry. <\/p>\n

Even if you\u2019re landlocked, this carefree look will make you feel like life\u2019s a beach next spring.<\/p>\n

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